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Krishna Leela is most popular theme along with some stories of Ramayana and Mahabharat. Paintings are also based on life of common people and local love stories.
Love story of Dhola Maru and rupmati Baj Bahadur are also illustrated in this painting. Lotus eyes flowing dresses, cylinder waste and Rory hands are the main features. Different colour has been used with distinct meaning as read depicts worm, emotion and Fury, yellow the marvellous, Brown the erotic.
The use of red, blue, yellow and green colour gives a contrasting brilliance, gold and silver colour have been used which added special glamorous to these paintings. The love story of Dhola Maru is very popular in Rajasthan and is both in murals and miniature painting. Maru- Ragini is a Tempera painting done by sahibdin, a famous painter of Mewar School.
Foreground is in light green colour. The king is holding the Rings how the camel in his right hand looking toward the queen. The sky is painted in the blue colour to depict night. Two male escorts with stick on their shoulder are running side by side with the camel.
One attendant is leading the camel. A white colour racing dog is shown ahead of the scorts. The dresses of the entire figure are in flat transparent colour with the impact of Mughal style. The whole composition is in the Rhythmic motion, now it is a collection of national Museums, New Delhi. The painting shows the Raja on the back of a horse. He is dressed in typically Mughal costume along with turban. He holds a flower in his right hand while. The scabbard and sword hilt are ornamented.
The small head of the horse has added hugeness to the body of horse. This painting is one of the best paintings by Nuruddin. The painting has two parts depicting two different part of scene on the first part Krishna is shown sitting on a swing on the left side.
There is a Dupatta hanging from his shoulder and he is wearing an orange colour dhoti. The blue complexion of his body has been highlighted. The swing has an ornamental border in a hexagonal shape. Radha sitting in front of him in the balcony is wearing traditional but decorated Ghagra and choli.
They are looking each other. Her head is covered with a transparent odhni and she is sitting on a red carpet. There is a pillow supporting the back of both Radha and Krishna. In the lower part both Radha and Krishna are sitting at different place under a tree in the foreground. An attendant of Radha is also shown in the painting both Radha and Krishna are sitting on a red carpet supported by pillows.
The painting by Nihal Chand of Kishangarh of Rajasthani School has a special place in the treasure of Indian miniature painting. It is characterized by emphatic lengthening of eyes and nose. The decorative art of hair spirolling down in the cheek in front of ears.
Her long tapering finger of the left hand is holding two Lotus Buds. Her odhni is decorated with Golden motif and her dress and jewellery reflect the taste and costume of contemporary Rajput royalty. The background of the painting is painted in dark blue. Radha Bani Thani has been taken as the best painting of Rajasthan. This painting is painted by dana in jodhpur styl of Rajasthani miniature painting.
On the upper side of painting, two princesses are shown sitting on their horse facing each other. They are playing polo with their four lady companions. They are also sitting on their horses in the lower side of painting though these horses are running in opposite direction. They are trying to control the ball by long polo sticks all ladies have profile faces,high rounded forehead and elongated eyes. The companion had covered their head with odhni.
All the dresses are in pure Rajputana style and well decorated. The ghagras spread out in bell like with the movement of horse. Very bright colour has been used in this painting the whole composition is against a light and flat green background. This extraordinary tempera painting of Jaipur School was painted by talented artist guman in 18 th century. Its theme is based on famous emotional episode Bharat-milap of ramayna. In this painting bharat came to chitrakut for taking back his elder brother rama to ayodhya with three mother and gurus.
In this miniature,49 human figure has wonderfully depicted in nine different groups. At its left,a small portion of mountain with shrubs and blue sky are shown.
In the foreground saryu river full of lotuses is shown. The whole episode has been depicted in the middle ground of the painting. In the first scene mother are coming with their female attendant from left. In the second scene rama is greeting his mother along with sita and Laxman. In the third scene at the top,kaikeyee is embracing rama near his hut. In the fourth scene,ram is touching the feet of kaushalya. In the fifth scene,sita is talking with her mother in laws. In the sixth scene,rama is lying on the feet of his guru.
In the eight scenes in the centre of middle ground,rama sitting in polite posture and discussing with his guru. Bharat is standing nearby while Lakshman and Shatrughna are sitting there. In the last scene rama,sita and Lakshman are saying good bye to all in the wright corner of this miniature. Pahari School of miniature painting comes into being after the end of Mughal school. A new style that was developed in the Himalayas, foothill of Punjab,garhwal and Jammu is known as Pahari school of miniature painting.
It is mixed style of Gujrat, Mughal and Rajasthanischool. It is through them, the Pahari style of painting was born in 18 th century. In these Himalayan states an indigenous art form based on folk art was already in existence. The first known specimen from basoli discovered in was already matured. The Mughal and Rajput painters created a new Pahari style in fusion with the local folk art.
The artist was not forced by the kings to draw subject matter chosen by them. Due to the freedom artist leave Mughal styl and give new expression to their theme. The Pahari school narrates Indian mythological and religious stories.
Ornaments on hand,leg,earandneck were comman. The poetry of sur,tulsi,kesav,dev and bishari have been beautifully painted. In this painting, lord Krishna is shown in happy mood with gopis at the bank of river Yamuna. All the eight gopis decorated in luxurious costume are expressing their regards and emotions to lord Krishna.
The colour complexion of Krishna is blue. He is wearing bright yellow dhoti and a jewel decorated crown with peacock feathers on his head.
The upper portion of his body is naked and decorated with variety of ornaments. The entire figure has profile face, slopingforehead, eye like lotus petals and sharp nose. In the centre of this miniature, lord Krishna is embracing to gopies, third Gopi is touching his feet, fourth is knee down posture and praying him, fifth is in param posture with her her palm folded, sixth is holding a fan like round structure, seventh is looking back and eight is holding a white Chauri.
Facial expression of whole group is divine and spiritual. In the background variety of trees are painted in a queue in different colours. In the foreground Yamuna river has been depicted by a fine white flowing dancing pattern.
This is a beautiful,attractive and crowded tempera painting of kangra sub school made by Nainsukh. In this painting a journey of nand, Yashoda, Krishna and kinsmen going to. Vrindavan has been depicted in a very realistic mode.
All the figures painted in this painting are shown in the traditional dresses have profile faces, sloping head, eyes like lotus petals and sharp nose.
Just behind this bullock cart Yashoda is shown sitting with Krishna. This kinsman is also accompanying nand baba to this devine journey to Vrindavan along with there daily needs. Some kinsmen have milk, curd and butter pitchers on their head.
This is a very alive and natural depiction of men, women, children, oxen and cows in this painting. In the background, roadside forest scene adds extra beauty to this miniature.
Mughal miniature painting was originated in Persia and continued for about three centuries in India. The first Mughal emperor Babur established Mughal empire in India in He was a man of aesthetic sensibilities. His son Humayun patronized the art of miniature painting and brought few Persian artist to India.
Program of Class 12 Painting Syllabus as you know very well that the Central Board of Secondary Education CBSE has its curriculum, and they hold the supreme authority to change it further for the benefit of students. Students are advised to check out the complete summary. Subscribe to get free study materials and Videos. In-depth knowledge of the Class 12 Fine Arts Painting syllabus to get a decent idea regarding the exam pattern and marking scheme. By going through the CBSE Class, 12 Syllabus students will understand the unit names, chapter under each unit and sub-topics involved in it.
Class XII. Visual arts considered to have been created to primarily for aesthetic purpose and judge for its beauty and meaningfulness. CBSE class 12 painting notes pdf. Class II. For any student of fine arts, it is necessary to be aware of the visual tradition in the past so as to understand the present art production. Class VI. Let us now check the Syllabus with topics to be covered with exam pattern.
But, you will find some troubles in fetching your textbooks easily in a bunch of books there. The PDF file may be compressed as. The only purpose is to help students to download the books easily. Mostly students prefer to study from reference books, because they find it more easy to understand topics from them. If you are looking for the solution of the questions given in NCERT, then below given links will prove to be very helpful for you. You can click on the link to purchase the NCERt solution. Theory and solutions given in the book are amazing and thus, a perfect choice for those who are preparing for board exams or some competitive exam.
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Krishna Leela is most popular theme along with some stories of Ramayana and Mahabharat. Paintings are also based on life of common people and local love stories. Love story of Dhola Maru and rupmati Baj Bahadur are also illustrated in this painting.
It will also help in understanding the syllabus , exam pattern, marking scheme, type of questions asked, and weightage of each topic. Along with that, you can also download answers for sample papers and marking scheme for Class 12 for academic session.
In Class 11, there are different streams like Science, Commerce, and Arts. We are taught a lot of things. The intend of this article is to let us know the significance of writing within the prescribed word limit while attempting the CBSE Board Examination. Choosing a stream after class 10 is a difficult and crucial stage in students life.
This CBSE Applied Art syllabus of Class 11 and 12 comprises the topics and units, which a student needs to study for the upcoming exams. Download this Ebook to get access to the CBSE Applied Art syllabus of 11th and 12th class pdf and prepare accordingly for the upcoming exams. When you look back in life , this app would have played a huge role in laying the foundation of your career decisions. Found everything I wanted and it solved all of my queries for which I was searching a lot A must visit No need to find colleges in other sites, this is the best site in India to know about any colleges in India.
(d) Applied Arts-Commercial Arts (Code No. ). The following art Applied Art.: Book cover design and illustration, cartooning, poster, advertisements for.
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CBSE Sample Paper Class 12 Commercial Art PDF Download CBSE Sample Paper Class 12 NCERT Books, Solutions, CBSE Online, Guide, Syllabus, Sample Paper Sample Papers For Commercial Art Class 12 PDF Download.